1998 M.F.A., Columbia University
1995 B.F.A., Parsons School of Design, New York, NY
SELECTED SOLO EXHIBITIONS
2012
Berlin, Christian Ehrentraut Gallery, The Ghosts January 14-March 10 2012
2011
New York, High Line Art: The High Line, Haunt Room, October-November 2011
New York, Marianne Boesky Gallery, Depiction of a Star Obscured by Another Figure, February 18 – March 19, 2011
New York, Art Production Fund in association with Park Avenue Armory, The Ghosts, February 3-6, 2011
2008
Antwerp, Belgium, MuHKA Museum, Permanent Revolution, curated by Dieter Roelstraete, February 22 – May 26, 2008
2007
Los Angeles, Sandroni Rey, Permanent Revolution, October 20 – December 20, 2007
Berlin, Arndt and Partner, The Quickening, September 4 – October 20, 2007
2006
New York, Marianne Boesky Gallery, The Quickening, November 30, 2006 – January 10, 2007
2005
Los Angeles, Sandroni Rey Gallery, The Stills, April 15 – May 21, 2005
New York, Whitney Museum of American Art at Altria, Black Sun, curated by Shamim Momin, March 3 – June 17, 2005
2004
Basel, Miami, Sandroni Rey at Statements, The Dark Hearts, December 2 – December 5, 2007
2003
Berlin, Kunst Werke, Hans & Grete, September 27, 2003 – January 9, 2004
New York, Postmasters Gallery, Hans & Grete, February 15 – March 15, 2003
2002
Berlin, Kunstlerhaus Bethanian, Photographs
2001
Los Angeles, Sandroni Rey, Photographs / project room: Ghost Stories Magazine, May 12 – May 23, 2001
2000
Los Angeles, Los Angeles Contemporary Exhibitions, Sue de Beer & Laura Parnes: Heidi 2, October 14 – December 23, 2000
New York, Deitch Projects, Sue de Beer & Laura Parnes: Heidi 2, January 19 – February 19, 2000
SELECTED GROUP EXHIBITIONS
2011
Brooklyn, Agape Enterprise, Inaugural Party Exhibition, November 11, 2011
Antwerp, Monty, Expo EPIC, curated by Max Razdow and Jan Van Woensel, October 27 – 19; November 4 – 5, 11 – 12, 2011
Marfa, Texas, Los Angeles Nomadic Division (LAND), Nothing Beside Remains, curated by Shamim Momim, December 10, 2011 – February 11 2012
Minneapolis, The Film Society of Minneapolis/St. Paul, International Film Festival, April 14-May 5, 2011
Belfast, Station Project, Platform Arts Gallery, Dark Waters, March 3 – 30th, 2011
New York, Hendershot Gallery, A Strange Affinity to the Beautiful and the Dreadful, curated by Maureen Sullivan, January 16 – March 6, 2011
2010
Amsterdam, Kunstfort bij Vijfhuizen, Speed Bump: Works from the Collection of Frans Oomen, July 4 - August 22, 2010
Los Angeles, Los Angeles Nomadic Division, The Secret Still Knows, July 10 – August 16, 2010
Athens, Greece, DESTE Foundation for Contemporary Art, Alpha Omega—Works from the Dakis Joannou Collection, June 16th – December 29, 2010
Austin, TX, Los Angeles Nomadic Division, The Secret Knows, March 17 - 21, 2010
2009
Dumbo, New York, Robert Wilson Art Gallery,
New York, The Kitchen, Sue de Beer and Andy Comer: Radio Play, October 29 – October 30, 2009
New York, Friedrich Petzel Gallery, The Audio Show, July 14 – August 23, 2009
New York, White Columns, Collection of…: Works from the collections of: Michael Clifton, Clarissa Dalrymple, Matt Keegan, Cary Leibowitz, Amie Scally, and Linda Yablonsky, May 26 – July 11, 2009
Luxembourg, Nosbaum and Reding Art Contemporain, The Pain Game, May 14 – July 4, 2009
2008
Busan, Korea, Busan Biennale, September 6 – November 15, 2008
2007
Vancouver, Canada, Presentation House Gallery, Been Up So Long It Looks Like Down To Me, curated by Mark Soo, September 15 – November 4, 2007
Karlsruhe, Zentrum fuer Kunst und Medientechnologie, Between Two Deaths, May 12 – August 19, 2007
New York, Derek Eller Gallery, Neointegrity, July 19 – August 24, 2007
2006
Frankfurt, Schirn Kunsthalle, Youth of Today, curated by Matthias Ulrich , April 7 – June 25, 2006
2005
Turin, Italy, Franco Soffiantino Arte Contemporanea, L’Altro, lo Stesso, curated by Irene Calderoni
New York, P.S. 1, Greater New York, March 13 – September 26, 2005
Berlin, Kunst Werke, Zur Vorstellung des Terrors: Die RAF, January 30 – May 5, 2005; Traveling to Neue Galerie am Landesmuseum Joanneum, Graz, Austria
2004
New York, The Whitney Museum of American Art, The Whitney Biennial, curated by Chrissie Iles, Shamim Momin, and Deb Singer
Brooklyn, NY, The Brooklyn Museum, Working in Brooklyn, April 17 – August 15, 2004
New York, Anton Kern Gallery, Scream, curated by Fernanda Arruda and Michael Clifton. January 15 – February 14, 2004; Traveled to The Moore Space, Miami, April 8 – July 3, 2004
2003
New York, Derek Eller Gallery, International Monster League, curated by Banks Violette, January 4 – February 8, 2003
New York, Michael Steinberg Fine Art, Flesh and Bone, Sue de Beer, Banks Violette and Daniel Hesitance, curated by Tracy Williams
New York, D'Amelio Terras Gallery, Now Playing, curated by Daniel Reich, Scott Hug (K48) and John Connelly, July 1 – August 8, 2003
Madrid, Reina Sophia Museum, Adolescentes, curated by Susana Blas
Graz, Austria, Neue Galerie am Landesmuseum Joanneum, M_ARS - Art & War, November 1 – March 26, 2003
2002
Vitoria-Gasteiz, Spain, ARTIUM, Centro-Museo Vasco de Arte Contemporáneo, Melodrama, curated by Doreet LaVitte, April 26 – September 22, 2002; Traveling to Palacio de los Condes de Gabia, Granada
Austin, Austin Museum of Digital Art, Identity Paradox, October 3 – October 19, 2002
Madrid, Spazio Consolo, Yesterday was Dramatic... But Today is Okay!, organization and production by: Marella Arte Contemporanea, Milan
Mexico City, Museo Rufino Tamayo, Gimme Shelter: New Videos on Suburban Discomfort, June 17 – June 19, 2002
Long Island City, New York, Dorsky Curatorial Projects, Desiring Machines, curated by Marcello Marvelli and Helaine Posner
San Francisco, Yerba Buena Center, Guide to Trust, curated by Jimi Dams, February 9 – April 21, 2002
2001
New York, New Museum of Contemporary Art, A Work in Progress: Selections From the New Museum Collection, October 5 – November 25, 2001
Atlanta, the Nexus Center, D.D.D.D.C
New York, New Museum of Contemporary Art, Fresh: The Altoids Curiously Strong Collection 1998-2000, January 12 – January 28, 2001
Brooklyn, Momenta Art, Dear Dead Person, curated by Banks Violette, April 29 – June 4, 2001
2000
New York, Threadwaxing Space, Death Race 2000, curated by Rachael Lowther and James Dawson Hollis
New York, Andrew Kreps Gallery, Two Friends and So On, curated by Rob Pruitt and Jonathan Horowitz
Seattle, The Center of Contemporary Art, Emotional Rescue: The Contemporary Art Project Collection, curated by Linda Farris
Tucson, AZ, Robert Pearre Fine Art, Dirty Realism, April 18, 2000
Cape Town, South Africa, Joao Ferreira Fine Art, One Night Stand
Los Angeles, The Standard Hotel, The Standard Projection: 24/7, curated by Yvonne Force
Los Angeles, Sandroni Rey Gallery, Parallax, New Photographs, March 4 – April 22, 2000
1999
New York, DKNY Store, New Museum Holiday Benefit Exhibition
New York, Artist's Space, The Searchers, curated by Robert Longo
Tempe, AZ, Arizona State University Art Museum, The Mix: Permanent Collection & Loans, curated by John Spiak, October 15 – November 28, 1999
Various venues in USA, Altoids Collection Exhibition
Paris, Galerie Jousse Seguin, Guest Room: Sue de Beer
Wolverhampton, England, Waiting Room, School of Art and Design, University of Wolverhampton, I’m a Virgin, curated by Esther Windsor
New York, Jack Tilton Gallery, I’m a Virgin, curated by Robert Boyd
1998
Brooklyn & New York, Momenta Art and Greene-Naftali, Benefit Exhibition
New York, The Fifth International, curated by Chivas Clem and Jenny Bornstien
San Paulo, San Paulo Biennial, Web Arte, curated by Mark Van der Walle
New York, Artist's Space, Scope 3, curated by Pip Day
Columbia University, New York, Graduate Thesis Exhibition
New York, David Zwirner Gallery, Video Library, curated by Leo Koenig,
New York, Apex Art, The Sound of One Hand, curated by Collier Schorr
1997
Brooklyn & New York, NY, Momenta Art and White Columns, New York Benefit Exhibition
New York, Miriam & Ira D. Wallach Gallery, 26 Positions
New York, Momenta Art Room 506, Gramercy Park Hotel Show
Brooklyn, Momenta Art, , Sue de Beer and Kristen Lucas, curated by Erik Heist and Laura Parnes
Among Ourselves, curated by Jesse Bransford, http:/sevenseven.com
1996
New York, Exit Art:The First World, Terra Bomba, curated by Jeanette Ingberman and Papo Colo
New York, Exit Art: The First World, Sweat, curated by Jeanette Ingberman and Papo Colo
New York, Benefit for the New York Women's Foundation, Instant Visions: Polaroid Photographs by Women in New York; Traveling to various locations
1995
New York, Exit Art: The First World, Imaginary Beings, curated by Jeanette Ingberman and Papo Colo
New York, Parsons Exhibition Center, Undergraduate Thesis Exhibition
SELECTED VIDEO SCREENINGS
2003
New York, The Museum of Modern Art's Grammercy Theatre, Sue de Beer
2002
Berlin, The American Academy in Berlin, Sue de Beer
1999
New York & Los Angeles, New Museum for Contemporary Art, Very 6
1998
New York, PBS, WNET Channel 13, Reel New York, curated by Garrison Botts
New York, Exit Art: The First World, Hybro Video, curated by Kate Hackman and Jodi Hanel
1997
Brooklyn, The Brooklyn Museum, Current Undercurrent; Working in Brooklyn
New York, VOID, Spooling, curated by Kristin Lucas in conjunction with the Downtown Arts Festival
BIBLIOGRAPHY
2012
“Sue de Beer, ‘The Ghosts’: Süchtig nach Erinnerungen,” Kunstmarkt, January 27, 2012
2011
Shuster, Robrt, "Best in Show", The Village Voice, November 9-15, 2011
McGarry, Kevin, “Creep Show: Sue de Beer’s ‘Haunt Room’,” T Magazine, October 31, 2011
Licht, Alan, “Teen Dreams”, Artforum, April 2011, p 105.
“Sue de Beer,” The New Yorker, March 14, 2011
“Sue de Beer: Depiction of a Star Obscured by Another Figure,” NY Art Beat, http://www.nyartbeat.com/event/2011/5838, February 22, 2011
Remen, Doreen. “Haunted: Sue de Beer at the Park Avenue Armory”, The Huffington Post, February 7, 2011
De Beer, Sue and Peetz, John Arthur. “500 Words: Sue de Beer,” Artforum, February 3, 2011
Kazakina, Katya. “Hypnotized Money Manager Sees Ghost, Redhead Strips in Art Film,” Bloomberg, February 3, 2011
Cheney, Alexandra. “Sue de Beer Celebrates ‘The Ghosts,’” The Wall Street Journal Speakeasy Blog, February 3, 2011
Miller, Leigh Anne. “Sue de Beer Haunts The Armory, Chelsea,” Art in America, February 2, 2011
“Sue de Beer: The Ghosts”, This Week in New York, January 2011
Kennedy, Randy. “White Paint, Chocolate, and Postmodern Ghosts,” The New York Times, January 26, 2011
Duhon, Peter H. Jr., “Sue de Beer, Nightmares in Tow, Comes Home,” The New York Observer, January 4, 2011
2010
“Speed Bump: works from the collection of Frans Oomen,” Kunstfort, July 4, 2010.
2009
“Radio Play,” New York Press, October 31, 2009.
“Sue de Beer and Andy Comer: Radio Play,” Flavorpill, September 10, 2009
2008
Rosenberg, Karen. “Uptown, Downtown, Fairs Found All Around,” The New York Times, March 29, 2008
Foss, Paul. “Sue De Beer,” ArtUS, Issue 21, March 2008
Willems, Brian. “Mourning Undead: The Melancholy Zombie,” ArtUS, Issue 21, March
2008
Jasso, Sarvia. “Sue de Beer: Mysteries of the Screen,” SOMA, February 2008
2007
Machida, Nico. “ A Look at Sue DeBeer: Permanent Revolution,” ArtSlant LA, October 20, 2007
Brooks, Amra. “Must See Art,” LA Weekly, November 28, 2007
Knapp, Lucinda. “Sue de Beer: Permanent Revolution,” Flavorpill, November 2007
Everts, Lotte, “Mao mit Popcorntute”, Berliner Zeitung, September 4, 2007
Heiser, Jorg, Felix Ensslin, Juliane Rebentisch, Andre Rottmann and Ja Verwoert, “Powered by Emotion?/ Ein Roundtablegesprach uber Romantik, Kunst und Melancholie”, Texte Zur Kunst, March 2007
Machida, Nico. “A Look at Sue de Beer: Permanent Revolution,” Art Slant, October 2007.
“Die Hand Gottes,” Der Tagesspiegel, November 2007.
Dambrot, Shana Nys. “Ghosts in the Machine: Sue de Beer,” Art Review, September 2007, p. 28
Velasco, David “Sue de Beer,” Artforum, February 2007, p. 293
“Sue de Beer,” The New Yorker, January 15, 2007, p. 12
“Sue de Beer: The Quickening, Flavorpill.com, January 2007, http://nyc.flavorpill.net/73431
2006
O’Neill-Butler, Lauren. “Sue de Beer,” Artforum.com, December 2006, http://www.artforum.com/picks/section=nyc#picks12179
Jeppesen, Travis. “Puritan Fears,” Zoo Magazine, No. 10 2006
Nevitt, Naomi. “Temporary Insanity,” Nylon, February 2006
Clifton, Michael. “Art and Art Exhibitions.” Encyclopaedia Britannica, 2006. p. 156-157, il.
2005
Honigman, Ana Finel. “A Conversation with Sue de Beer,” Sculpture, September 2005
Barton, Nancy. “Artists on Artists – Nancy Barton on Sue de Beer,” Bomb, Summer 2005
“What’s On,” The Art Newspaper, May 2005
Honigman, Ana Finel. Interview with Sue de Beer “Chop Chop,” artnet, April 8, 2005
Johnson, Ken. “Sue de Beer,” The New York Times, April 8, 2005
Spreen, Dierk, “Leuchtreklame Für Den Terror,” artnet Germany
Goodbody, Bridget C. “Sue de Beer - Black Sun,” Time Out NY, March 17 – 23, Issue 494, 2005
Fanizadeh, Andreas "Die Toen ruhen nicht," Die Wochenzeitung, March 2, 2005
Blumenstein, Ellen, Marcus Coelen, Felix Ensslin, moderated by Martin Conrads and Ulrich Gutmair. "Drei.. Zwei.. Eins. Holger Meins!" Texte Zur Kunst, March 2005
Dhillon, Kim. “Sue de Beer – She’s frighteningly good,” i-D, March 2005
Fricke, Hararld and Brigitte Wernerburg, interview. "Die Zumutung darf sehr weit gehen," Die Taggeszeitung Kultur, February 1, 2005
Klopotek, Felix. "RAF Ausstelung, Mythos der Mitte," Intro, February, 2005
Preuss, Sebastian. "Schlachtfeld Deutschland," Berliner Zeitung 29 January 30, 2005
Feddersen, Jan. “Eine deutsche Familiengeschichte,” Die Tageszeitung, January 29-30, 2005
Hohmann, Silke. “Der Wille zur Bewegung,” Frankfurter Rundschau, January 29, 2005
Liebs, Holger. "Ein Moderner Totentanz," Suddeutsche Zeitung (Munchen) January 29, 2005
Grieshaber, Kirsten "An Art Exhibition Raises the Issue of Terrorism," The New York Times, January 29, 2005
Kuhn, Nicola. "Christian, Hans Martin und ich," Der Tagesspiegel, Kultur, January 29, 2005
Martenstein, Harald. "Der ewige Herbst," Der Tagesspiegel, Kultur, January 29, 2005
Blumenstein, Ellen. "Beschaftigung mit Gespenstern," Tageszeitung (Berlin), January 27, 2005
2004
Sholis, Brian. “Sue de Beer,” ISSUE, number 8, Fall 2004
Lee, Chris. “Death Becomes Them,” Black Book, Fall 2004
Bellini, Andrea. “La Condition Humaine,” Flash Art Italy, April/May 2004
Cattelan, Maurizio. “Permanent Food,” Boiler Magazine #04
Cotter, Holland. "Duck! It's Whitney Biennial Season Again!" The New York Times, March 7 2004
Dunn, Melissa. “Whitney Biennial 2004: A Good-Looking Corpse,” Flash Art, May/June 2004
Eva. "Teenage Art Club," Neo 2, February March 2004
Goodbody, Brigitte. "Scream, at Anton Kern Gallery," Time Out NY, February 5-12, 2004
Hainley, Bruce. "Teen Angle, the Art of Sue de Beer," Artforum, January 2004
Johnson, Ken. "Scream," The New York Times, February 13, 2004
Kimmelman, Michael. "Touching All Bases at the Biennial," The New York Times, March 12, 2004
Liebs, Holger. “Schlaflos im Sweatshop,” Suddeutches Zeitung, Nr. 282, Feuilleton Seite 13, Dec. 4/5 2004
Lee, Chris. “Death Becomes Them,” Black Book Magazine, Fall 2004, pp190 - 192
Phanor, Alexandra. “Shock Therapy, Sue de Beer,” Nylon Magazine, November, 2004, pp 94-95
Robinson, Walter. “The 2004 Revue,” Artnet, December 31, 2004
Saltz, Jerry. "Way beyond tipsy: Are the spirits of abandon and concentration creeping back into art? Blotto, meet Buzzed," The Village Voice, May 11, 2004
Saltz, Jerry. "Modern Gothic," The Village Voice, February 4-10 2004
Schmit, Jason. "Whitney Bound," V Magazine, Spring, 2004
Shollis, Brian. “In Search of the Miraculous, Sue de Beer,” Issue Magazine, Fall, 2004
Sommereyns, Omar. “The Talk of the Fair,” The Street, December 3, 2004
Stocuy, Brandon. “Band Wanted, Music Optional,” NYFA, Winter, 2004
Turner, Elisa. “In Your Face: Two exhibits take a super close look at the darker side of human experience,” The Miami Herald,
January 13, 2004
Von Lillian, Titus. “Lichtsymphonien Im Schattenreich,” Qvest Magazin, Spring, 2004
Wei, Lilly. Reviews, “Whitney Biennial 2004,” Artnews, May, 2004
2003
J, J. Review, “Sam Collects: Contemporary Art Projects,” Modern Painters, Summer, 2003
Johnson, Ken. "Sue de Beer, Hans & Grete," The New York Times, March 7, 2003.
Levin, Kim. "Sue de Beer," The Village Voice, March 12-18, 2003, p.72
Macritchie, Lynn. "Sue de Beer," The Financial Times (London), October 20, 2003
Moody, Tom. "Upcoming, Sue de Beer," Digital Media Tree, October 8, 2003
Saltz, Jerry. "Babylon Rising: looking ahead to the new season, our critic finds plenty of reason to be cheerful," The Village Voice,
September 5, 2003
Thomsen, Henrike. "Wie Kaputt Wir Doch Sind: Unter der süßlichen Oberfläche zuckt das Perverse: Sue de Beer bringt mit ihrer Filminstallation "Hans and Grete" jugendliche Amokläufer und die RAF in den Kunst-Werken zusammen," taz Berlin lokal Nr. 7173, April 10, 2003
Yablonsky, Linda. "To Thine Own Selves be True," Artnews, November, 2003
2002
Bonetti, David. "40 Artists, One Subversive Writer," San Franciso Chronicle, February 27, 2002, p. 1 se. D
Greene, Rachel. "Sue de Beer - Recent Photographs/ Sue de Beer - Neue Fotoarbeiten," BE 8: Kunstlerhaus Bethanian Berlin Spring, 2002
Hennessey, Kathleen. "Guide to Trust No. 2," digitalcity.com, February 15, 2002
Knott, Marie Luise. "Sue de Beer - Hans Und Grete," Le Monde Diplomatique, 14 June, 2002
Mardon, Mark. "Guide to Trust No. 2," Bay Area Reporter, 7 February, 2002
Rump, Charles. "Reflexionen über alltägliche Gewalt und das Horror-Genre: Sue de Beer im Künstlerhaus Bethanien Reflections of Everyday Violence and the Horror Genre: Sue de Beer at Kunstlerhaus Bethanien," Berliner Morganpost, 4 November, 2002, reprinted in Die Welt, November 8, 2002.
2001
Albiani, Rebecca. “Emotional Rescue at the Center on Contemporary Art,” ArtWeek, December, 2000, p. 27
Cotter, Holland. “’Fresh’ Altoids Curiously Strong Collection,” The New York Times, January 19, 2001
Cotter, Holland. “Dear Dead Person,” The New York Times, May 25, 2001
Hamburger, Susan. “Dear Dead Person,” Waterfront Week, May 31, 2001
Hilger, Stephen. “Sue de Beer at Sandroni Rey Gallery,” Tema Celeste, Summer, 2001
Hilger, Stephen. “Sue de Beer and Laura Parnes at Los Angeles Contemporary Exhibitions,” Art Issues, January/February, 2001
Hilgenstock, Andrea. “Es Wird Blut Fleisen. Nicht Zimperlich: Mit ihrer Kunst hinterfragt Sue de Beer, warum Gewalt cool sein kann,” Berliner Morgenpost, October 11, 2001
Feaster, Felecia. “Picture this: Month Long Celebration showcases photography’s brightest talents,” Creative Loafing Atlanta, October 3, 2001
Fox, Catherine. “A Dirty Shame,” Atlanta Journal and Constitution, September 28, 2001
Gioni, Massimiliano. “New York Cut Up, Contemporary Art at a Glance,” Flash Art, January-February, 2001
Nys Dambrot, Shana. “Paul McCarthy at Patrick Painter, Sue de Beer and Laura Parnes at LACE,” ArtWeek, December, 2000, p. 20
Ollman, Leah. “Pop Violence: Sue de Beer,” Los Angeles Times, June 1, 2001
Tumlir, Jan. “Seducing the Sequel,” ArtText, No. 72, February-April, 2001
2000
Ayerza, Josefina & Leibowitz, Cathy. “Heidi 2 - Sue de Beer/Laura Parnes,” Lacanian Ink, May, 2000, pp. 92-103
Butler, Kateri. “Room with a Loop,” LA Weekly, 2000
Cohen, Michael. “The Love Mechanics,” Flash Art, July, 2000
Dannatt, Adrian. “Grrrls on film: Celluloid send-up,” The Art Newspaper, February, 2000
Hegarty, Laurence. “Sue de Beer and Laura Parnes,”, New Art Examiner, June, 2000
Hunt, David. “Sue de Beer and Laura Parnes, Heidi 2,” Time Out New York, February 17-24, 2000
Johnson, Ken. “Two Friends and So On,” The New York Times, July 21, 2000
Munitz, Benita. “Visual Surprises From New York,” Cape Times, January 18, 2000
Ollman, Leah. “Darkness & Light,” Los Angeles Times, March 31, 2000
Rush, Michael. “Sue de Beer and Laura Parnes at Deitch Projects,” Art in America, November, 2000
Schmid, Lydia. “Kunst-Brooklyn,” Elle, August, 2000
Sharp, Amanda. “Clip Joint - Video Art Checks Into LA,” Frieze, March, 2000
Smith, Roberta. ”Sue de Beer and Laura Parnes, Heidi 2,” The New York Times, February 18, 2000
Van Bosch, Cobus. “Pap van meet af styl aangemaak in nuwe kunsjaar,” Die Burger, January 13, 2000
Williams, Gregory. “Sue de Beer and Laura Parnes,” Frieze, June, 2000
Willis, Holly. “Heidi 2: The Unauthorized Sequel,” LA Weekly, October 27, 2000
“Sue de Beer and Laura Parnes,” Village Voice, February 15, 2000
“Sue de Beer and Laura Parnes,” The New Yorker, February 14, 2000
1999
Kinsella, Eileen. “Cutting-Edge Art Does Business,” The Wall Street Journal, February 12, 1999, p. W9
Johnson, Ken. “Contact, Jack Tilton,” The New York Times, January 22, 1999, p. E40
Mehalic, Jessica. “Coming Soon to a Museum Near You,” Mademoiselle, September, 1999, p. 51
Moody, Tom. “Double the Transgression, Double the Fun - Sue de Beer and Laura Parnes,” Very, September, 1999, pp. 16-17
Neel, Alex. “Contact,” Time Out New York, January 28 - February 4, 1999, p. 67
Saltz, Jerry. “Hungry Hearts: A Romp Through the Fall Art Season,” Village Voice, Vol. XLIV, No. 36, September 14, 1999, p. 69
Stassart, Gilles. “LA
von Schlegell, Mark. “digitalia WDBNMSWD DIGITALIA REMIX,” New York Arts, July, 1999, pp. 9-11
von Schlegell, Mark. “Is Herr Doktor in the House?” New York Arts, March/April, 1999, pp.48-49
Zizek, Slavoj. “Femininity, between Goodness and Act,” Lacanian Ink 14, Spring, 1999, pp. 38-39
1998
Nassau, Lawrence. “The Sound of One Hand: The Collection of Collier Schorr,” New York Arts, May, 1998, p. 15
Schorr, Collier. The Sound of One Hand (exhibition catalog), 1998
1997
Goldberg, Rose Lee. “Terra Bomba, Exit Art,” Artforum, April, 1997, p. 93
Raczka, Robert. “Terra Bomba, Exit Art,” New Art Examiner, April, 1997, p. 48
1995
Karmel, Pepe. “Persistence of Pagan Myth in Modern Imagination,” The New York Times, December 29, 1995, p. C26
PUBLICATIONS
2006
De Beer, Sue. The Quickening. New York: Marianne Boesky Gallery and Berlin: Arndt & Partner, 2006
2005
Biesenbach, Klaus, ed. Curated by Klaus Biesenbach, Ellen Blumenstein and Felix Ensslin. Zur Vorstellung des Terrors: Die RAF catalogue. Berlin: Kunst Werke, 2005
Emerge: Sue de Beer. New York: Downtown Arts Projects, 2005
2004
Whitney Biennial 2004, Curated by Chrissy Iles, Shamim Momin, Debra Singer, Publications and New Media Department at the Whitney Museum of American Art and Harry Abrams, Inc., New York and Steidl, Göttingen, 2004
2002
Andersson, Patrik & Steedman, Judith ed. inside magazines: independentpopculturemagazines. London: Thames & Hudson Ltd. , 2002
Cattelan, Maurizio, Funke, Bettina, Gioni, Massimo & Subotnick, Ali. Charley 01. Les Presses du Reel / Janvier. D.A.P. (Distributed Art Publishers), 2002
Dams, Jimi ed., Guide To Trust 'Gtt2', exhibition catalogue. San Francisco: Yerba Buena Center for the Arts, 701 Mission Street,
2002
Harten, Doreet laVitte ed. Melodrama, exhibition catalogue, ARTIUM Zentro-Museoa, Centro Jose Guerrero & Museo de Arte Contmporanea de Vigo, 2002
Sue de Beer, Hans & Grete, monograph. Texts by Alissa Bennet, Dennis Cooper, and Stephen Hilger. American Academy in Berlin / Philip Morris, 2002
2001
McKinney, Casey ed. D.D.D.D.C. catalogue. Texts by Dodie Belamy, Alissa Bennet, Matthew Byloos, Dennis Cooper, Trinie Dalton, Lia Gangitano, Brian Pera, Ian Svenonius, Mitchell Watkins. Atlanta: Nexus Center, 2001
2000
McKinney, Casey, ed. Mall Punk Magazine, Fall 2000
Heist, Eric & Parnes, Laura, ed. Momenta Art past exhibitions catalogue, 2000
1999
McKinney, Casey ed. Animal Stories Magazine, Fall 1999
1995
Bransford, Jesse, ed. Epicycle Motorcycle catalogue. Edition of 500, 1995
AWARDS AND GRANTS
2001
Philip Morris Emerging Artist Prize, the American Academy in Berlin
1999
Wexner Center, artist-in-residence, the Wexner Center, Ohio
The Joan Sovern Award for Excellence in Sculpture
1998-1999
The Franklin Furnace Fund for Performance Art
PUBLIC COLLECTIONS
The Brooklyn Museum, New York
The New Museum of Contemporary Art, New York
The New School for Social Research, New York
The Seattle Contemporary, Seattle, Washington
The Whitney Museum of American Art, New York